| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
По разделу |
528336 | 1596 |
61 |
126 |
132 |
129 |
140 |
113 |
155 |
134 |
138 |
148 |
128 |
192 |
0 |
4 |
5 |
6 |
5 |
5 |
4 |
3 |
4 |
4 |
3 |
4 |
4 |
3 |
3 |
4 |
3 |
4 |
4 |
4 |
3 |
3 |
3 |
4 |
5 |
7 |
4 |
4 |
4 |
4 |
3 |
5 |
4 |
3 |
4 |
2 |
6 |
3 |
3 |
5 |
5 |
5 |
4 |
5 |
6 |
7 |
9 |
4 |
6 |
6 |
5 |
4 |
4 |
4 |
3 |
4 |
3 |
4 |
3 |
2 |
4 |
3 |
|
7. О символизации насилия. Песочный Человек |
3662 | 727 |
29 |
53 |
60 |
56 |
46 |
40 |
55 |
74 |
60 |
96 |
82 |
76 |
0 |
4 |
1 |
1 |
2 |
0 |
4 |
3 |
3 |
1 |
2 |
3 |
1 |
0 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
2 |
3 |
4 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
2 |
6 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
7 |
8 |
2 |
5 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
|
Художественные описания механизмов психологической защиты |
13447 | 624 |
15 |
47 |
49 |
42 |
49 |
39 |
44 |
47 |
75 |
93 |
73 |
51 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
4 |
4 |
3 |
0 |
3 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4110 | 588 |
30 |
49 |
62 |
48 |
70 |
62 |
47 |
55 |
46 |
43 |
38 |
38 |
0 |
3 |
0 |
6 |
1 |
5 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
3 |
1 |
3 |
1 |
2 |
1 |
3 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
5 |
4 |
6 |
1 |
6 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
3 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
2036 | 550 |
27 |
54 |
55 |
46 |
55 |
47 |
50 |
50 |
59 |
43 |
38 |
26 |
0 |
4 |
0 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
6 |
0 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
5 |
2 |
3 |
5 |
3 |
4 |
0 |
6 |
0 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
|
7. Интерпретация эпоса об Урал-Батыре |
2182 | 541 |
24 |
51 |
64 |
62 |
54 |
50 |
42 |
55 |
41 |
37 |
34 |
27 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
3 |
3 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
2 |
3 |
0 |
3 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
4 |
1 |
1 |
6 |
5 |
8 |
1 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
|
1. Расставание брата и сестры |
3965 | 529 |
16 |
28 |
38 |
31 |
44 |
37 |
113 |
47 |
38 |
41 |
54 |
42 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
5 |
0 |
3 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9766 | 479 |
19 |
44 |
35 |
35 |
48 |
23 |
93 |
36 |
38 |
41 |
30 |
37 |
0 |
2 |
2 |
2 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
4 |
2 |
5 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2664 | 478 |
21 |
53 |
56 |
57 |
30 |
30 |
33 |
29 |
31 |
42 |
50 |
46 |
0 |
2 |
0 |
0 |
3 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
2 |
4 |
2 |
3 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
7 |
6 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
|
Мотив Города |
3458 | 357 |
14 |
30 |
40 |
30 |
38 |
22 |
22 |
29 |
24 |
33 |
41 |
34 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
2 |
5 |
4 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
|
26. Динамика развития психики по оси Самость-Эго |
2090 | 352 |
11 |
23 |
38 |
29 |
29 |
29 |
25 |
27 |
39 |
41 |
34 |
27 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
1 |
4 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
|
4. О символизации насилия в эддической поэзии |
2524 | 352 |
19 |
31 |
51 |
35 |
24 |
21 |
21 |
19 |
23 |
34 |
46 |
28 |
0 |
3 |
0 |
0 |
3 |
2 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
3 |
8 |
3 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
|
Совершая труд |
4946 | 338 |
10 |
49 |
37 |
33 |
22 |
24 |
18 |
17 |
21 |
24 |
31 |
52 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
7 |
2 |
3 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
4 |
2 |
1 |
4 |
5 |
3 |
0 |
3 |
6 |
5 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Графоманские стихи |
3682 | 337 |
14 |
37 |
44 |
33 |
32 |
23 |
22 |
23 |
31 |
25 |
31 |
22 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
5 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
5 |
6 |
1 |
4 |
1 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
|
6. Насилие и интеграция психики в архаической сказке |
1562 | 336 |
9 |
28 |
30 |
25 |
21 |
23 |
27 |
19 |
21 |
24 |
24 |
85 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
4 |
5 |
3 |
4 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
12. Интеграция и Анимы, и Анимуса |
2045 | 334 |
13 |
32 |
38 |
29 |
34 |
25 |
24 |
20 |
33 |
37 |
29 |
20 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
5 |
4 |
3 |
2 |
6 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
|
8. Запутанная история Джона Ди |
1792 | 323 |
21 |
26 |
37 |
28 |
25 |
20 |
24 |
28 |
23 |
24 |
41 |
26 |
0 |
1 |
2 |
3 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
4 |
3 |
3 |
3 |
2 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
|
Психосоматика наизнанку |
5213 | 321 |
7 |
21 |
35 |
31 |
28 |
29 |
20 |
19 |
39 |
30 |
39 |
23 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
4 |
1 |
5 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
5. Особенности архаической сказки |
1933 | 318 |
11 |
26 |
36 |
32 |
33 |
29 |
18 |
19 |
27 |
30 |
32 |
25 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Упражнение Бог |
3864 | 317 |
16 |
18 |
29 |
25 |
34 |
27 |
27 |
19 |
28 |
30 |
37 |
27 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
10. Об Аниме женщины |
2075 | 310 |
17 |
24 |
29 |
19 |
40 |
25 |
27 |
20 |
28 |
23 |
41 |
17 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
6 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
16. Список литературы |
1418 | 309 |
13 |
23 |
41 |
29 |
29 |
25 |
12 |
16 |
21 |
37 |
32 |
31 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
2 |
3 |
5 |
4 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
1843 | 308 |
13 |
28 |
34 |
32 |
32 |
26 |
21 |
22 |
22 |
29 |
28 |
21 |
0 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
|
14. Мастера и шарлатаны Гофмана |
2243 | 307 |
14 |
14 |
33 |
28 |
22 |
24 |
38 |
15 |
22 |
31 |
45 |
21 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Симбиоз гештальта и символдрамы |
3389 | 306 |
10 |
25 |
32 |
35 |
25 |
23 |
17 |
25 |
30 |
29 |
26 |
29 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
2 |
1 |
5 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
2023 | 305 |
15 |
35 |
32 |
24 |
34 |
23 |
21 |
21 |
16 |
33 |
30 |
21 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
3 |
2 |
4 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
|
О книге Матрица и потенциал характера |
1713 | 299 |
19 |
33 |
34 |
30 |
34 |
18 |
13 |
21 |
20 |
21 |
36 |
20 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
3 |
2 |
4 |
1 |
4 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
2. Андрогинность в сказке и мифе |
1863 | 297 |
7 |
24 |
29 |
19 |
26 |
30 |
18 |
20 |
16 |
34 |
41 |
33 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
5 |
3 |
0 |
2 |
2 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Архетипические мотивы в фольклоре єскорой помощи" |
2455 | 295 |
7 |
25 |
23 |
25 |
24 |
20 |
12 |
23 |
21 |
21 |
25 |
69 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
3 |
2 |
1 |
2 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Эмоциональное выгорание, травма и нарциссизм |
5901 | 294 |
15 |
30 |
36 |
28 |
25 |
21 |
16 |
16 |
23 |
32 |
33 |
19 |
0 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
4 |
7 |
0 |
2 |
0 |
3 |
3 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
3. О символизации насилия в поэзии скальдов |
3416 | 294 |
11 |
38 |
35 |
26 |
26 |
18 |
21 |
37 |
14 |
24 |
25 |
19 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
3 |
3 |
1 |
4 |
4 |
2 |
0 |
2 |
2 |
3 |
3 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
2. Представления об Анимусе мужчины |
2165 | 292 |
10 |
30 |
30 |
29 |
30 |
20 |
14 |
16 |
14 |
34 |
31 |
34 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
6 |
6 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Клеменс Брентано. Лоре Лай |
1644 | 290 |
7 |
30 |
35 |
28 |
26 |
16 |
17 |
16 |
17 |
32 |
40 |
26 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
5 |
2 |
0 |
2 |
0 |
4 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
13. Внутрениие вредители в произведениях Гофмана |
1852 | 290 |
12 |
30 |
31 |
26 |
27 |
17 |
24 |
22 |
27 |
28 |
28 |
18 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
3 |
3 |
3 |
0 |
3 |
0 |
4 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
2897 | 289 |
13 |
25 |
40 |
31 |
26 |
22 |
14 |
19 |
17 |
33 |
30 |
19 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
4 |
7 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2395 | 288 |
12 |
24 |
49 |
20 |
23 |
23 |
16 |
16 |
20 |
28 |
36 |
21 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
5 |
5 |
2 |
4 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
|
6. О символизации насилия. Значимые персонажи |
2168 | 288 |
8 |
29 |
32 |
25 |
30 |
24 |
24 |
18 |
19 |
24 |
27 |
28 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
4 |
1 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Оценка эффективности работы психолога с клиентами |
3061 | 285 |
10 |
26 |
35 |
23 |
23 |
26 |
19 |
20 |
30 |
24 |
32 |
17 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
5 |
5 |
5 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Графоманские стихи |
2569 | 285 |
16 |
19 |
29 |
25 |
31 |
24 |
15 |
22 |
21 |
25 |
34 |
24 |
0 |
0 |
5 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
3 |
0 |
2 |
3 |
3 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
13. Аида: комментарии к либретто |
1991 | 285 |
11 |
23 |
37 |
29 |
24 |
24 |
30 |
14 |
19 |
30 |
25 |
19 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
0 |
4 |
1 |
5 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2344 | 284 |
18 |
28 |
36 |
23 |
28 |
21 |
19 |
13 |
25 |
28 |
25 |
20 |
0 |
0 |
1 |
5 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
4 |
2 |
5 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
|
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2619 | 283 |
7 |
24 |
27 |
21 |
26 |
27 |
26 |
21 |
22 |
35 |
30 |
17 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
5 |
1 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
10. Современные андрогинные персонажи, Душа и Дух |
1828 | 282 |
8 |
29 |
42 |
18 |
28 |
22 |
23 |
13 |
18 |
25 |
29 |
27 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
4 |
2 |
4 |
1 |
4 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
|
Отношения врача и пациента с точки зрения созависимости |
6647 | 280 |
9 |
24 |
27 |
27 |
27 |
24 |
21 |
23 |
21 |
24 |
36 |
17 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
5 |
0 |
3 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
9. Персона и Тень |
1846 | 279 |
14 |
29 |
32 |
25 |
22 |
21 |
19 |
16 |
30 |
22 |
28 |
21 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
4 |
4 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
|
3. Как мужчины обращаются с Анимой |
3585 | 278 |
15 |
21 |
34 |
25 |
33 |
34 |
13 |
16 |
18 |
23 |
24 |
22 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
5 |
0 |
3 |
2 |
5 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
|
Уходя с работы: как разобраться с травмирующими переживаниями |
1781 | 277 |
8 |
19 |
39 |
28 |
31 |
30 |
10 |
16 |
35 |
19 |
26 |
16 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
6 |
1 |
3 |
1 |
5 |
0 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
|
7 Заклинатели |
1860 | 277 |
14 |
25 |
34 |
28 |
36 |
14 |
20 |
14 |
19 |
20 |
35 |
18 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
2 |
2 |
4 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Больной Крысолов |
1604 | 276 |
14 |
32 |
33 |
22 |
25 |
24 |
13 |
15 |
17 |
24 |
30 |
27 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
3 |
5 |
2 |
0 |
3 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
|
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1676 | 276 |
13 |
24 |
31 |
21 |
25 |
23 |
11 |
18 |
24 |
28 |
35 |
23 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
3 |
2 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1474 | 276 |
12 |
33 |
30 |
19 |
35 |
24 |
8 |
10 |
21 |
24 |
46 |
14 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
5 |
4 |
0 |
2 |
2 |
4 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
|
3. Сказочные злодеи: Консолидатор Тени |
1699 | 275 |
7 |
26 |
43 |
20 |
29 |
19 |
13 |
17 |
16 |
25 |
33 |
27 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
5 |
7 |
2 |
2 |
1 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
|
Двойные ловушки Плоского мира |
1830 | 275 |
9 |
22 |
33 |
26 |
33 |
17 |
16 |
13 |
17 |
28 |
32 |
29 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
9. Лихтенберг - мыслящее тело |
1275 | 275 |
10 |
21 |
33 |
23 |
28 |
29 |
21 |
16 |
33 |
17 |
27 |
17 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
8 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
4. Ад без жала |
1743 | 275 |
15 |
21 |
38 |
20 |
25 |
18 |
16 |
18 |
23 |
21 |
28 |
32 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
3 |
5 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1540 | 275 |
10 |
36 |
35 |
41 |
20 |
17 |
17 |
14 |
19 |
19 |
27 |
20 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
2 |
2 |
3 |
1 |
4 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
|
Образ Бога и зрелость личности |
2612 | 275 |
11 |
28 |
38 |
29 |
25 |
24 |
18 |
10 |
28 |
23 |
19 |
22 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
8 |
1 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
|
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1819 | 274 |
8 |
27 |
31 |
21 |
23 |
24 |
14 |
25 |
21 |
31 |
21 |
28 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
5 |
2 |
2 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
|
5. Сказка о Персоне, что учится самосознанию |
1836 | 273 |
7 |
25 |
28 |
27 |
27 |
24 |
17 |
17 |
19 |
23 |
32 |
27 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
4 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
13. Женщина перед расстрелом |
1377 | 273 |
7 |
26 |
25 |
24 |
24 |
19 |
25 |
18 |
29 |
23 |
30 |
23 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
4 |
4 |
3 |
0 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
О старости |
2303 | 273 |
10 |
29 |
39 |
29 |
30 |
15 |
16 |
32 |
16 |
15 |
27 |
15 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
7 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
|
Из плена профессиональной Персоны? |
1639 | 271 |
15 |
38 |
40 |
24 |
32 |
16 |
12 |
15 |
18 |
22 |
23 |
16 |
0 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
6 |
3 |
1 |
1 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
|
Непрожитая старость |
10503 | 268 |
11 |
20 |
35 |
27 |
25 |
25 |
18 |
18 |
14 |
31 |
24 |
20 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
4 |
0 |
4 |
3 |
3 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2159 | 268 |
11 |
31 |
28 |
22 |
35 |
24 |
13 |
15 |
18 |
26 |
26 |
19 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
4 |
2 |
3 |
4 |
1 |
3 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Больница глазами гештальт-терапевта |
4172 | 267 |
7 |
24 |
31 |
22 |
30 |
20 |
17 |
11 |
20 |
27 |
35 |
23 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
6 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
|
Юные птицы старого русского рока |
1058 | 267 |
10 |
27 |
30 |
30 |
28 |
21 |
11 |
13 |
26 |
21 |
33 |
17 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
2 |
2 |
4 |
4 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
2. Конец истории о Крысолове |
2119 | 266 |
17 |
21 |
30 |
30 |
35 |
16 |
12 |
11 |
22 |
28 |
25 |
19 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1759 | 265 |
16 |
26 |
25 |
24 |
23 |
23 |
20 |
20 |
25 |
22 |
25 |
16 |
0 |
1 |
3 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1742 | 265 |
8 |
21 |
35 |
20 |
30 |
20 |
19 |
16 |
30 |
21 |
27 |
18 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
3 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
|
15. Николай Ставрогин и его адепты |
2013 | 265 |
11 |
19 |
33 |
25 |
23 |
33 |
15 |
15 |
19 |
18 |
32 |
22 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
6 |
2 |
3 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
3181 | 265 |
9 |
25 |
31 |
18 |
29 |
21 |
12 |
18 |
37 |
22 |
26 |
17 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
3 |
5 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
|
2. Неюнгианские механизмы интеграции психики в сказке |
1692 | 265 |
10 |
24 |
28 |
19 |
32 |
22 |
15 |
19 |
23 |
23 |
35 |
15 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
4 |
2 |
3 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
9. Психика как пара |
1800 | 265 |
11 |
22 |
29 |
19 |
27 |
20 |
18 |
13 |
20 |
20 |
34 |
32 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
7 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
1. Преамбула: феминное и маскулинное |
1933 | 264 |
14 |
19 |
30 |
26 |
28 |
20 |
20 |
15 |
17 |
22 |
33 |
20 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
7. Созидающее насилие: подвиги Геракла |
1759 | 264 |
12 |
33 |
26 |
26 |
25 |
20 |
18 |
11 |
31 |
25 |
22 |
15 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
5 |
3 |
3 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Запрет на идентификацию с больным и эмоциональное выгорание |
3119 | 263 |
11 |
22 |
36 |
26 |
24 |
25 |
11 |
17 |
18 |
23 |
32 |
18 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
2 |
3 |
3 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
|
8. Тотем, Трикстер, Первопредки |
1623 | 263 |
12 |
18 |
30 |
22 |
26 |
25 |
15 |
14 |
20 |
28 |
28 |
25 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
5 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
|
3. Убежища |
1659 | 263 |
9 |
29 |
29 |
31 |
27 |
21 |
11 |
11 |
15 |
23 |
32 |
25 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1842 | 263 |
10 |
21 |
32 |
30 |
24 |
18 |
16 |
23 |
17 |
21 |
35 |
16 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
5 |
5 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
7. О проекции переживаний травмы на Аниму |
1583 | 261 |
12 |
31 |
29 |
25 |
34 |
17 |
11 |
15 |
17 |
30 |
29 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
3 |
3 |
4 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
20. О некоторых особенностях структуры фэнтези |
1938 | 261 |
7 |
25 |
33 |
26 |
19 |
20 |
17 |
15 |
20 |
22 |
35 |
22 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
4 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
|
2. О преображении в полете |
899 | 261 |
12 |
18 |
33 |
32 |
22 |
20 |
26 |
14 |
15 |
19 |
29 |
21 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
|
14. Мир и образ зла в эпопее о Гарри Поттере |
1684 | 260 |
11 |
19 |
33 |
26 |
26 |
21 |
11 |
16 |
22 |
30 |
29 |
16 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
5 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
|
22. О героях авторских сказок и фэнтези |
1630 | 260 |
11 |
21 |
32 |
37 |
27 |
23 |
12 |
10 |
22 |
19 |
26 |
20 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
|
4. Погребальные дроги |
1510 | 260 |
13 |
31 |
27 |
27 |
25 |
19 |
12 |
14 |
12 |
26 |
26 |
28 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
4 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
|
4. Зловещие магнетизеры |
2374 | 259 |
11 |
15 |
30 |
29 |
35 |
31 |
19 |
13 |
17 |
18 |
26 |
15 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
0 |
3 |
1 |
5 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
33. Пространство, время, человек и божество в сказке |
1483 | 259 |
12 |
25 |
38 |
20 |
25 |
20 |
9 |
14 |
30 |
22 |
28 |
16 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
0 |
3 |
2 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
|
Перстень, яблоко, собор |
1843 | 259 |
11 |
24 |
39 |
27 |
28 |
24 |
12 |
16 |
17 |
20 |
23 |
18 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
0 |
4 |
1 |
4 |
1 |
3 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
|
3 консультации в гештальт-подходе |
2413 | 258 |
15 |
16 |
33 |
25 |
24 |
17 |
10 |
14 |
32 |
24 |
27 |
21 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
5 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
|
3. Молитвенная мельница |
1630 | 257 |
13 |
24 |
22 |
19 |
23 |
17 |
14 |
15 |
27 |
29 |
32 |
22 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
4 |
2 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
12. Песочник и его жертва |
1477 | 257 |
12 |
28 |
24 |
37 |
18 |
20 |
19 |
16 |
21 |
22 |
23 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Три бестселлера |
1520 | 257 |
11 |
29 |
28 |
32 |
27 |
18 |
14 |
16 |
12 |
21 |
28 |
21 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
4 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Звездный ворон и ядовитый волк |
1231 | 256 |
12 |
19 |
38 |
25 |
29 |
31 |
13 |
11 |
15 |
23 |
23 |
17 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
4 |
0 |
2 |
3 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Мы и Они |
1925 | 256 |
16 |
27 |
36 |
32 |
21 |
21 |
16 |
13 |
18 |
19 |
21 |
16 |
0 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
4 |
3 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
|
16. Миры и образы зла, связанные с Темной Башней |
2231 | 254 |
13 |
19 |
33 |
26 |
20 |
17 |
18 |
17 |
17 |
25 |
27 |
22 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Роковой треугольник - 1 |
1967 | 254 |
10 |
20 |
29 |
25 |
25 |
17 |
12 |
14 |
20 |
21 |
28 |
33 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
3 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
15. Мир и образ зла в "Темных началах" |
1479 | 253 |
12 |
23 |
30 |
30 |
28 |
18 |
14 |
14 |
17 |
21 |
28 |
18 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Дворянин Фаланд или владыка альвов? |
1107 | 252 |
12 |
19 |
27 |
30 |
26 |
20 |
16 |
16 |
16 |
21 |
30 |
19 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
4 |
0 |
1 |
2 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Ангел |
1744 | 252 |
15 |
27 |
27 |
25 |
22 |
18 |
13 |
11 |
28 |
25 |
24 |
17 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
5 |
4 |
0 |
1 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Кошачья подсистема в семье |
1114 | 252 |
7 |
17 |
32 |
19 |
28 |
21 |
14 |
15 |
23 |
20 |
31 |
25 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
7. Верховное полутело |
1169 | 252 |
12 |
19 |
32 |
31 |
22 |
21 |
13 |
15 |
27 |
23 |
23 |
14 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
|
27. О различении Я и Эго-комплекса |
1399 | 251 |
10 |
30 |
31 |
30 |
22 |
25 |
12 |
14 |
16 |
22 |
27 |
12 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
4 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
|
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1474 | 251 |
12 |
24 |
28 |
24 |
22 |
24 |
14 |
18 |
18 |
30 |
23 |
14 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Тум-балалайка |
2006 | 250 |
13 |
24 |
29 |
21 |
18 |
18 |
15 |
12 |
28 |
22 |
27 |
23 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
4 |
2 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
1. Явление Крысолова |
1527 | 250 |
11 |
24 |
31 |
25 |
31 |
18 |
14 |
14 |
14 |
19 |
27 |
22 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
3 |
4 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
|
О способности понять душевнобольного |
2314 | 249 |
9 |
25 |
31 |
30 |
20 |
21 |
10 |
12 |
30 |
19 |
28 |
14 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
|
8. Как остаться инфантильной |
1447 | 249 |
8 |
27 |
23 |
24 |
26 |
28 |
20 |
12 |
17 |
23 |
26 |
15 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
4 |
4 |
1 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2625 | 249 |
10 |
21 |
31 |
18 |
26 |
18 |
14 |
16 |
16 |
27 |
32 |
20 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
2 |
3 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
|
16. Медведь |
1305 | 249 |
8 |
30 |
30 |
32 |
24 |
20 |
10 |
12 |
19 |
21 |
26 |
17 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
3 |
5 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
10. Большая женщина. Начало возрождения |
1156 | 248 |
9 |
25 |
26 |
20 |
27 |
22 |
17 |
11 |
26 |
21 |
28 |
16 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
|
11. Миры и зло Средиземья и Валинора |
1681 | 248 |
9 |
23 |
25 |
23 |
22 |
20 |
15 |
19 |
21 |
23 |
28 |
20 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Роковой треугольник -2 |
1875 | 248 |
12 |
23 |
30 |
24 |
26 |
16 |
8 |
15 |
14 |
24 |
34 |
22 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
3 |
4 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1795 | 248 |
10 |
23 |
31 |
26 |
24 |
20 |
21 |
17 |
14 |
18 |
28 |
16 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
3 |
4 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
|
4. Архаичные материнские образы |
1506 | 247 |
12 |
25 |
26 |
26 |
25 |
23 |
14 |
14 |
21 |
19 |
26 |
16 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Особенности структуры семьи учащихся техникума |
2172 | 247 |
10 |
21 |
30 |
19 |
26 |
23 |
23 |
11 |
19 |
19 |
25 |
21 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1198 | 247 |
9 |
15 |
29 |
22 |
18 |
25 |
19 |
11 |
34 |
23 |
26 |
16 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
6 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1364 | 246 |
10 |
22 |
34 |
23 |
18 |
23 |
12 |
14 |
31 |
16 |
29 |
14 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
|
8. Поглощенное время |
1574 | 246 |
13 |
26 |
29 |
22 |
26 |
21 |
10 |
20 |
18 |
21 |
26 |
14 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
|
11. Пространство лагеря |
1203 | 246 |
12 |
18 |
25 |
21 |
33 |
17 |
18 |
18 |
31 |
14 |
27 |
12 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Шекспир, сонет 146 |
1463 | 245 |
8 |
25 |
26 |
27 |
23 |
21 |
14 |
11 |
17 |
20 |
30 |
23 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
4 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Типы семей, получающих помощь в социальном центре |
1759 | 244 |
13 |
19 |
27 |
21 |
20 |
23 |
13 |
12 |
22 |
24 |
28 |
22 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
1. Введение |
1689 | 243 |
10 |
26 |
33 |
26 |
29 |
19 |
15 |
11 |
17 |
16 |
23 |
18 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
4 |
5 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
|
12. Мир и зло "Властелина Колец" |
2023 | 243 |
7 |
17 |
31 |
25 |
28 |
24 |
14 |
19 |
20 |
20 |
25 |
13 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
5. Заместитель |
1480 | 243 |
10 |
26 |
26 |
22 |
24 |
25 |
11 |
14 |
19 |
19 |
27 |
20 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
|
24. Медведь и другие |
1062 | 243 |
10 |
32 |
34 |
24 |
26 |
17 |
12 |
13 |
16 |
19 |
25 |
15 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
3 |
4 |
2 |
3 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
|
4. Ранние пьесы М. Цветаевой |
2038 | 243 |
12 |
17 |
30 |
22 |
22 |
22 |
16 |
14 |
17 |
18 |
31 |
22 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Из У. Блейка. Ответ Земли |
1910 | 242 |
9 |
28 |
30 |
30 |
20 |
22 |
10 |
12 |
14 |
28 |
27 |
12 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
2 |
6 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
15. Типичные протагонисты произведений Гофмана |
1574 | 242 |
12 |
25 |
28 |
23 |
21 |
19 |
11 |
17 |
19 |
24 |
27 |
16 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
4 |
3 |
6 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
811 | 242 |
13 |
24 |
34 |
29 |
25 |
15 |
14 |
12 |
21 |
20 |
21 |
14 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
4 |
4 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
|
Огонь |
1750 | 242 |
12 |
27 |
28 |
27 |
23 |
14 |
15 |
12 |
25 |
17 |
27 |
15 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
5 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
|
1. Тело и мир персонажей Андрея Платонова |
1498 | 242 |
9 |
22 |
29 |
20 |
23 |
21 |
14 |
17 |
20 |
25 |
25 |
17 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
5 |
4 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
|
11. Кое-что об Анимусе женщины |
1622 | 242 |
10 |
14 |
38 |
22 |
28 |
23 |
10 |
10 |
26 |
22 |
25 |
14 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
3 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
|
9. Начало перехода |
1152 | 241 |
12 |
29 |
25 |
24 |
18 |
16 |
11 |
15 |
29 |
17 |
30 |
15 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
5 |
4 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Мир на костылях |
1546 | 241 |
7 |
26 |
37 |
22 |
26 |
18 |
9 |
15 |
20 |
18 |
27 |
16 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
5 |
4 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
|
Г. Гессе. Стихотворение о Степном Волке |
1933 | 241 |
8 |
16 |
38 |
23 |
20 |
14 |
16 |
17 |
19 |
24 |
27 |
19 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
6 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
|
5. Идущий следом |
1574 | 241 |
13 |
21 |
29 |
27 |
26 |
14 |
16 |
13 |
15 |
22 |
25 |
20 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
3 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Телесный симптом в роли символа |
2039 | 241 |
7 |
21 |
22 |
24 |
24 |
21 |
13 |
20 |
23 |
19 |
33 |
14 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1663 | 241 |
10 |
15 |
36 |
23 |
24 |
17 |
13 |
11 |
29 |
25 |
26 |
12 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
7 |
1 |
1 |
4 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Хороший начальник Емеля |
1124 | 240 |
11 |
26 |
28 |
28 |
27 |
20 |
10 |
15 |
19 |
16 |
25 |
15 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
6 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
10. Модели интеграции психики в героическом эпосе |
1624 | 240 |
12 |
24 |
29 |
31 |
17 |
21 |
15 |
12 |
18 |
20 |
29 |
12 |
0 |
0 |
2 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
4 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Начальство развлекается |
1507 | 240 |
11 |
16 |
25 |
28 |
25 |
23 |
11 |
11 |
25 |
22 |
28 |
15 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
3. Произведения молодости М. Цветаевой |
1505 | 240 |
13 |
15 |
33 |
29 |
31 |
14 |
13 |
11 |
17 |
21 |
26 |
17 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
3 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
30. Сказочный персонаж: форма и содержимое |
1465 | 239 |
8 |
24 |
36 |
24 |
21 |
18 |
21 |
14 |
20 |
18 |
20 |
15 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
5 |
2 |
3 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Путешествиепо склону |
1606 | 239 |
8 |
25 |
33 |
26 |
27 |
20 |
11 |
15 |
15 |
17 |
25 |
17 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
6 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
|
Юнгианцы и странные научные теории |
857 | 239 |
15 |
27 |
36 |
16 |
21 |
22 |
12 |
12 |
18 |
23 |
23 |
14 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
3 |
1 |
4 |
5 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
|
5. Сравнение прогностической ценности разных факторов |
1758 | 239 |
8 |
21 |
23 |
25 |
24 |
23 |
15 |
14 |
18 |
28 |
23 |
17 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1689 | 238 |
10 |
21 |
32 |
22 |
16 |
21 |
13 |
13 |
18 |
26 |
33 |
13 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
|
15. Ненаучное животное в мусорном ветре |
1222 | 237 |
11 |
24 |
31 |
21 |
25 |
24 |
10 |
13 |
17 |
21 |
26 |
14 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
2 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
|
Бумажная Принцесса |
1247 | 237 |
16 |
25 |
30 |
24 |
25 |
18 |
8 |
15 |
15 |
22 |
22 |
17 |
0 |
1 |
2 |
1 |
4 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
|
28. О символике эволюции |
1383 | 237 |
7 |
21 |
25 |
31 |
23 |
22 |
14 |
12 |
23 |
15 |
29 |
15 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1578 | 237 |
8 |
24 |
28 |
29 |
19 |
24 |
11 |
13 |
19 |
19 |
25 |
18 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2361 | 237 |
12 |
25 |
24 |
24 |
28 |
16 |
14 |
12 |
27 |
19 |
26 |
10 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Г. Гессе. Ступени |
1798 | 236 |
11 |
19 |
26 |
24 |
25 |
15 |
18 |
10 |
15 |
25 |
29 |
19 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Из Цурэна. Как лист увядший падает на душу... |
1803 | 236 |
14 |
28 |
23 |
19 |
27 |
17 |
18 |
11 |
16 |
28 |
22 |
13 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
6 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1667 | 236 |
8 |
25 |
27 |
26 |
25 |
17 |
15 |
17 |
14 |
18 |
25 |
19 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
6 |
4 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1692 | 236 |
12 |
21 |
27 |
23 |
24 |
22 |
11 |
14 |
18 |
26 |
21 |
17 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
4 |
5 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Из У. Блейка. Ангел |
1634 | 236 |
12 |
24 |
29 |
27 |
28 |
21 |
10 |
11 |
14 |
24 |
25 |
11 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
|
Венок сонетов Ваське |
1979 | 236 |
10 |
16 |
24 |
23 |
25 |
18 |
10 |
8 |
16 |
38 |
24 |
24 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Бестиарий |
1480 | 236 |
6 |
24 |
35 |
25 |
23 |
21 |
15 |
15 |
16 |
22 |
21 |
13 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
5 |
0 |
3 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
|
3. Выбор художника - Анима или Анимус? |
1665 | 236 |
10 |
23 |
26 |
20 |
22 |
20 |
11 |
15 |
20 |
28 |
22 |
19 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Ответ Земли (другой вариант) |
1717 | 235 |
8 |
18 |
24 |
25 |
28 |
22 |
13 |
13 |
26 |
23 |
23 |
12 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
6. Насколько опасен Анимус мужчины |
1529 | 235 |
7 |
22 |
26 |
27 |
19 |
19 |
11 |
11 |
19 |
23 |
33 |
18 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Реквием Ваське |
1676 | 235 |
10 |
29 |
27 |
25 |
28 |
17 |
9 |
10 |
16 |
23 |
25 |
16 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
4 |
2 |
5 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1732 | 235 |
7 |
15 |
41 |
18 |
21 |
19 |
16 |
13 |
23 |
25 |
23 |
14 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Информация о владельце раздела |
1506 | 235 |
7 |
21 |
32 |
27 |
24 |
20 |
11 |
13 |
16 |
20 |
26 |
18 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
3 |
3 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1595 | 235 |
10 |
22 |
29 |
21 |
21 |
17 |
21 |
15 |
16 |
20 |
28 |
15 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
6 |
3 |
0 |
2 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
15. Деревня изнутри. Во дворах |
1165 | 234 |
7 |
20 |
25 |
25 |
26 |
19 |
16 |
10 |
19 |
22 |
28 |
17 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1777 | 234 |
9 |
20 |
27 |
17 |
24 |
18 |
19 |
17 |
14 |
32 |
21 |
16 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
|
23. Настя заболела |
1350 | 234 |
11 |
19 |
34 |
17 |
30 |
17 |
16 |
11 |
14 |
22 |
24 |
19 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
9 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
13. Колхоз идет навстречу |
1143 | 234 |
11 |
22 |
28 |
24 |
23 |
14 |
16 |
16 |
16 |
23 |
22 |
19 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
20. Нвстя заболевает |
1223 | 233 |
11 |
23 |
26 |
16 |
25 |
15 |
12 |
15 |
12 |
26 |
30 |
22 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
5 |
6 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1708 | 233 |
8 |
23 |
22 |
21 |
25 |
20 |
16 |
14 |
19 |
20 |
27 |
18 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
11. Ничего не кончается |
1144 | 233 |
8 |
15 |
26 |
29 |
22 |
31 |
11 |
12 |
19 |
19 |
29 |
12 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
|
26. Настина смерть |
1189 | 233 |
10 |
25 |
30 |
26 |
30 |
18 |
10 |
12 |
13 |
18 |
25 |
16 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
7 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
|
10 охламонов |
1848 | 233 |
19 |
19 |
31 |
22 |
22 |
20 |
11 |
7 |
15 |
23 |
26 |
18 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
3 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
|
2. Шаманское странствие |
1346 | 232 |
10 |
15 |
26 |
21 |
19 |
26 |
19 |
9 |
18 |
33 |
20 |
16 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Вскрытие |
1738 | 231 |
9 |
23 |
31 |
30 |
26 |
17 |
12 |
10 |
15 |
15 |
26 |
17 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
5 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
|
5. Женщина в плаще цвета Времени |
1399 | 231 |
6 |
15 |
31 |
21 |
28 |
26 |
13 |
10 |
19 |
18 |
27 |
17 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
8 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Юнгианское стихотворение о сказках |
1568 | 231 |
7 |
14 |
27 |
20 |
34 |
22 |
11 |
15 |
19 |
22 |
25 |
15 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
21. Властные хитрецы |
1469 | 231 |
13 |
18 |
26 |
19 |
22 |
18 |
13 |
16 |
18 |
23 |
27 |
18 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
4. Сказка о травме и восстановлении |
1674 | 231 |
12 |
33 |
22 |
26 |
24 |
19 |
11 |
19 |
15 |
17 |
20 |
13 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
5 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
3 |
6 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
6. Скорбная земля |
1678 | 231 |
9 |
20 |
34 |
20 |
23 |
17 |
13 |
16 |
14 |
24 |
23 |
18 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
5 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
|
25. Об особенностях травматической интеграции психики |
1512 | 230 |
11 |
21 |
23 |
24 |
24 |
20 |
16 |
13 |
19 |
18 |
25 |
16 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1761 | 230 |
10 |
12 |
30 |
24 |
26 |
18 |
21 |
11 |
18 |
22 |
24 |
14 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
6 |
1 |
3 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
27. Безвременье котлована |
1144 | 230 |
7 |
26 |
26 |
16 |
23 |
18 |
15 |
13 |
21 |
22 |
23 |
20 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
3 |
4 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
17. Плот |
1205 | 230 |
14 |
19 |
25 |
27 |
17 |
13 |
12 |
11 |
34 |
17 |
27 |
14 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Кости |
1125 | 230 |
7 |
25 |
29 |
27 |
22 |
21 |
14 |
13 |
15 |
17 |
25 |
15 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
|
18. Ночные пляски |
1161 | 230 |
7 |
20 |
31 |
31 |
26 |
16 |
14 |
10 |
14 |
19 |
24 |
18 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
4 |
4 |
3 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
|
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1472 | 230 |
7 |
22 |
27 |
21 |
19 |
26 |
13 |
14 |
16 |
22 |
28 |
15 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
3 |
2 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
|
18. Диспозиция и динамика некоторых авторских сказок |
1294 | 229 |
7 |
25 |
23 |
24 |
23 |
21 |
11 |
17 |
17 |
22 |
21 |
18 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
2155 | 229 |
9 |
18 |
29 |
20 |
17 |
26 |
17 |
11 |
23 |
17 |
25 |
17 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
3 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
14. Мертвая мать и ее дети |
1191 | 229 |
7 |
20 |
36 |
26 |
23 |
20 |
13 |
14 |
13 |
20 |
22 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
5 |
4 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
|
5. Погибшее братство и Лихтенберг |
1089 | 229 |
11 |
27 |
23 |
28 |
25 |
16 |
11 |
9 |
17 |
19 |
25 |
18 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
3 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
|
1. Маленький рыцарский роман |
1588 | 229 |
9 |
21 |
28 |
22 |
30 |
18 |
17 |
10 |
18 |
17 |
24 |
15 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
|
Компьютерная игра вместо визуализации |
1861 | 229 |
9 |
24 |
25 |
28 |
28 |
18 |
17 |
12 |
17 |
17 |
22 |
12 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
4 |
5 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
5. Рядом с общим телом |
1270 | 228 |
7 |
19 |
30 |
25 |
22 |
12 |
17 |
10 |
21 |
18 |
27 |
20 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
7 |
2 |
1 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Алгоритм сортировки клиентов социального центра |
2139 | 228 |
7 |
18 |
24 |
25 |
24 |
19 |
16 |
12 |
21 |
16 |
27 |
19 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Шекспир, сонет 144 |
1570 | 228 |
9 |
22 |
23 |
19 |
21 |
19 |
16 |
10 |
30 |
18 |
27 |
14 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
3 |
4 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
|
4. Блуждания невоплощенного |
1226 | 228 |
5 |
24 |
30 |
27 |
21 |
19 |
10 |
15 |
15 |
24 |
23 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
4 |
3 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Жили-были... |
1715 | 228 |
6 |
21 |
27 |
19 |
22 |
21 |
9 |
14 |
27 |
24 |
23 |
15 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
5 |
4 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Королева |
1897 | 227 |
9 |
17 |
37 |
25 |
25 |
19 |
10 |
9 |
15 |
15 |
26 |
20 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
3 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
|
Визит Аристокла |
1568 | 227 |
6 |
19 |
27 |
28 |
23 |
23 |
11 |
12 |
16 |
21 |
25 |
16 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
|
9. Некоторые модели психической интеграции |
1566 | 227 |
12 |
19 |
29 |
19 |
25 |
22 |
9 |
14 |
19 |
18 |
27 |
14 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
|
Senex - Puer |
1406 | 226 |
4 |
25 |
24 |
23 |
24 |
17 |
19 |
10 |
19 |
17 |
24 |
20 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
6 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
19. Тишина |
1152 | 226 |
8 |
27 |
26 |
20 |
22 |
19 |
12 |
12 |
16 |
24 |
24 |
16 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
4 |
4 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
|
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2280 | 226 |
7 |
15 |
25 |
34 |
23 |
20 |
11 |
10 |
21 |
21 |
24 |
15 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
1. Миф, мир и психика |
1580 | 226 |
12 |
19 |
26 |
24 |
20 |
22 |
12 |
14 |
20 |
16 |
24 |
17 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
3 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
1 Дитя в мирах Психеи и Ананке |
1809 | 226 |
7 |
19 |
26 |
25 |
24 |
16 |
20 |
11 |
19 |
22 |
21 |
16 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
0 |
4 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
21. Радость молотобойца |
1197 | 226 |
9 |
19 |
30 |
24 |
22 |
22 |
9 |
10 |
17 |
23 |
22 |
19 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
7 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
7. Индивидуальности котлована |
1211 | 225 |
9 |
25 |
25 |
22 |
26 |
18 |
8 |
11 |
17 |
21 |
28 |
15 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
|
Мотив Цветка и регуляция позы |
932 | 225 |
8 |
16 |
29 |
24 |
23 |
16 |
14 |
8 |
24 |
17 |
27 |
19 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
4 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
3. На улице |
1169 | 225 |
7 |
18 |
36 |
23 |
30 |
14 |
12 |
13 |
13 |
17 |
29 |
13 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
5 |
3 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
|
12. Люди лагеря |
1093 | 225 |
7 |
24 |
31 |
18 |
19 |
18 |
16 |
12 |
17 |
19 |
29 |
15 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
2 |
6 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
32. Для чего нужен символ? |
1322 | 225 |
10 |
26 |
21 |
21 |
19 |
20 |
16 |
12 |
16 |
18 |
29 |
17 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Прогнозирование эффективности психологической помощи семьям |
1761 | 225 |
6 |
19 |
33 |
21 |
22 |
19 |
10 |
16 |
19 |
23 |
24 |
13 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
31. Становление символа во времени |
1359 | 224 |
11 |
27 |
17 |
28 |
22 |
21 |
11 |
11 |
20 |
19 |
25 |
12 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
19. Множественные и парные миры авторской сказки и фэнтези |
1392 | 224 |
9 |
24 |
22 |
24 |
19 |
19 |
12 |
18 |
17 |
19 |
27 |
14 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
|
Мышиная звезда |
799 | 224 |
8 |
18 |
31 |
21 |
24 |
20 |
11 |
14 |
14 |
24 |
26 |
13 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
4 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
|
Хрупкие миры |
623 | 223 |
8 |
18 |
29 |
27 |
19 |
16 |
16 |
10 |
19 |
17 |
23 |
21 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
4 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
1. Телесные трансформации в рассказе "Мусорный ветер" |
1158 | 223 |
12 |
29 |
23 |
16 |
20 |
19 |
14 |
13 |
16 |
20 |
24 |
17 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
5 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |